Welcome to exhibits in new york. This is the newsletter behind our currently private iOS app that lets you track and review shows in the city. Below, a list of art openings this weekend. If you’re new here, subscribe to join the waitlist (new version out very soon!!) and go see something this weekend. - Sarah + Alexandra
Opening tonight:
Chelsea:
A New Place To Be From, at Morgan Lehman. 6-8 pm reception
Claudine’s House, at Ross + Kramer. 6-8 pm reception.
Eric Dever: Points of Interest, at Berry Campbell. 6-8 pm reception.
Meatpacking:
Joseph Cochran II, at Swivel Gallery. 6-9 pm reception.
Tribeca:
Snake Summer, at The Locker Room. 6-8 pm reception.
Ficus Interfaith, at P·P·O·W, 6-8 pm reception.
Chantal Khoury: Stay Longer, at Nicodim. 6-8 pm reception.
Behind Closed Doors, at Gaa Gallery. 6-8 pm reception.
Sean Nash: Acid Base, at Kate Werble. 6-8 pm reception.
Mariann Metsis: Trauerspiele, at Margot Samel. 6-8 pm reception.
East Village
Infanta with Tiny Bell, at Wschód New York. 6-8 pm reception.
Choichun Leung, at Ruby/Dakota. 6-8 pm reception.
CULONA POLITICS, at Ruby/Dakota. 6-8 pm reception.
LES/Chinatown:
All Creatures Great and Small, at Blade Study. 6-8 pm reception.
Eat the Heat, at Frosch & Co. 6-8 pm reception.
Relative to the Sun, at Hair + Nails. 6-9 pm reception.
V Walton: I Find Rest, at Hannah Traore. 6-8 pm reception.
Símon Ramírez, at Proxyco. 6-8 pm reception.
Red Hook:
MSCHF, at Pioneer Works, 7-9 pm reception.
Opening tomorrow:
As Land Remembers, at Marian Goodman. 6-8 pm reception.
Álvaro Urban, at Marian Goodman. 6-8 pm reception.
COLLECTIVE INTELLIGENCE, at Marian Goodman. 6-8 pm reception.
Summer Selections, at Pace Prints. 6-8 pm reception.
Exaltation, at Plato. 6-8 pm reception.
No Footsteps Return, at Rainrain. 6-8 pm reception.
Lorna Ritz, at Yve Yang. 6-8 pm reception.
and if you go…
Tell us about it! You can pitch a short review (between 100-300 words) to run in this newsletter two ways: email pitches@exhibitsinnewyork.com, or, if you’re using the app, send a screenshot of your review to @pitches or on Instagram.
We’re looking for sensitive observations about a show; we want context (how the art is situated in the world) and affect (a gut response) to coexist. We’re hoping you can match your area of expertise (what you studied in school, what you know through experience) with the exhibit you choose to review, and a successful pitch will see ways to make observations beyond what’s written in the wall text. Selected submissions will go through an editorial review, run in our newsletter with credit,